Damian Lewis for Huntsman.com
Damian visits Savile Row tailoring – he’s partial to a bit of Huntsman and Burberry. His wife Helen McCrory once commented that he carries a suit better than any man she knows!
SRF patron Damian Lewis interviews Professor John McGrath from Guy’s and St Thomas’s NHS Trust, Kings College, London to learn more about EB.
Epidermolysis Bullosa is a genetic skin blistering condition that affects over 500,000 people around the world, but very few people have heard of it. Those who have realise what a devastating impact it has on sufferers and their families. It is unrelenting in its pain and unrelenting in the distress it causes. – Sohana Research Foundation
Winning the New York Drama Critics’ Circle Award for best play, David Mamet’s explosive drama examines the fickle nature of honour among thieves. As three small-time crooks, Walter “Teach” Cole (Damian Lewis), Don Dubrow (John Goodman) and Bobby (Tom Sturridge), plan one big-time heist, a tragedy of errors spins this razor-sharp and darkly funny play into a blistering account of divided loyalties, insatiable greed and a coveted Buffalo nickel.
Los Angeles sun in the windows, Damian in various states of dress in and out of a tuxedo, the just-there ginger scruff on his face. The aura emanating from Damian must cause quite a fiery glare in its own right. – JaniaJania
Stand by for a take, please. And we’re turning. Quiet, please. And action.’ Live trumpets sound at the entrance to Bristol Cathedral, before the heavy doors open to reveal Claire Foy as Anne Boleyn, silhouetted against the sunlight. Guards in red capes and gold sculpted breastplates frame her as she begins her slow approach down the blue-carpeted aisle towards the altar, her stiff silk train carried by ladies-in-waiting, the bulging belly that will one day be Elizabeth I played by a neat rounded cushion. She proceeds towards the bottom right-hand corner of the shot until she is out of focus. ‘Cut there!’
On the monitor, a clapperboard marks the take, and a flurry of activity ensues: a blur of taffeta dresses, the back of the director Peter Kosminsky’s head. The shot is replayed, silently. The long blue carpet is moved fractionally to the left. They start again. ‘Stand by for a take, please.’
It is July 3 2014 and Bristol Cathedral is doubling for Westminster Abbey in the BBC’s six-part drama Wolf Hall. Based on both of Hilary Mantel’s novels about the life of Thomas Cromwell – Wolf Hall and Bring Up the Bodies – Kosminsky’s evocative and dazzlingly precise adaptation stars some of Britain’s very best actors and features many of its finest buildings, and is destined to be one of the most talked-about series on television this year.