Billions Season Three Dining Guide
by Damianista | Fan Fun with Damian Lewis | May 16, 2018
It is no secret that one of my favorite things about my favorite show is how it showcases the New York dining scene from hole-in-the-walls to neighborhood gems to Michelin-starred restaurants. And it has been my pleasure to share the information about restaurants appearing on the show first in my weekly recaps and then in a full dining guide by the end of the season for Season 1 and Season 2.
But now that our dining guides are two of the most widely read articles on the blog, and that we constantly get questions about the restaurants on the show, I have decided to take a different route this season. I am kicking off our dining guide today with the restaurants our characters visited in the first two episodes in Season 3 and I am going to update the post as we go. Continue reading Billions Dining Guide, Season 3 *UPDATED – May 16, 2018
Pick of the Day: Billions, Sky Atlantic, 9pm
by David Sexton | Evening Standard | May 10, 2018
An extraordinary episode of the glossy financial drama, which was recently renewed for a fourth season.
Showrunners Brian Koppelman and David Levien contribute a storyline that swirls around the two main protagonists, Axe (Damian Lewis) and Chuck (Paul Giamatti), making it clear that whatever moral distinction there used to be between the rogue trader and the attorney general, they are both now morally compromised.
Last week’s show ended with Axe and Chuck in conference with Wendy (Maggie Siff) trying to work out a plan to avoid them all being sent to jail. This week, much to the men’s surprise, Wendy proposes a dubious idea which involves the framing of the almost blameless oncologist Dr Ari Gilbert (Seth Barrish), and persuading her colleague Mafee (Dan Soder) to lie (a talk which requires her to wield her sexuality). In the end, Axe takes a relaxing bath, but the dynamics have changed, with Wendy’s flexible morality promoting her to the role of a key player.
Billions began in the Obama years as a fight between right and wrong. As the drama evolves to mirror the Trump era, those distinctions have become very blurry.
Read the rest of the original article at Evening Standard
“Lewis, with his singular white-skinned, red-haired coloring and swimming-pool blue eyes, is always mesmerizing to watch”
by Eve MacSweeney | Vogue | May 9, 2018
One of the credibility stretching conceits of the Showtime drama Billions is that one of its lead characters, a high-ranking government lawyer played by Paul Giamatti, is a hard-core sexual masochist. We meet him in the pilot, bound, gagged, and hooded, cringing under the heel of a dominatrix. (That she turns out to be his wife is another of the rapid plot twists that keep the series’ heart pumping.)
With the accusations breaking this week of the physical abuse of four women by former New York Attorney General Eric Schneiderman, that high-concept premise is starting to look less contrived. Schneiderman is the alleged perpetrator, not the recipient, of violence in news accounts, but the disconnect common to both characters—the real and the fictional—is unsettling. Giamatti’s Chuck Rhoades, the U.S. attorney for the Southern District of New York, is so possessed by the desire to nail his nemesis, hedge-funder Bobby Axelrod (Damian Lewis) that he is willing to sacrifice friends, family, ethics, and his own financial interest in its pursuit. This punitive zeal makes an ironic contrast with his sexual preference. Schneiderman’s apparent hypocrisy lies in his support of #MeToo, taking action against Harvey Weinstein, and, as a legislator, introducing specific laws against verbal threats and physical choking, two of the crimes of which he now stands accused.
Continue reading The Schneiderman Allegations Make the TV show Billions Look a Lot More Like Real Life – May 9, 2018
Bobby Axelrod Will Be Back Next Year
by Joe Otterson | Variety | April 26, 2018
“Billions” has been renewed for a fourth season at Showtime, the premium cabler announced Thursday.
In addition, the series will move from its 10 p.m. timeslot to 9 p.m. beginning May 6 to serve as the lead-in for Season 2 of “I’m Dying Up Here.”
The Season 3 premiere of “Billions” on March 25 was its highest-rated ever, up 30% in the key demo and 23% in total viewers from the Season 2 premiere. The series was created and is executive produced by showrunners Brian Koppelman and David Levien. The series was also created by Andrew Ross Sorkin.
Continue reading Billions Renewed for Season 4 – April 26, 2018
The Superhero Show About Finance and the Tale of Two Warring Goliaths
by Rachel Syme | The New Republic | April 24, 2018
Billions reckons with the inflated egos and muddled ethics of Wall Street.
The first season of Billions premiered in January 2016— eight years after the collapse of the subprime mortgage market and eleven months before a self-proclaimed billionaire was elected president. This was the sweet spot, timing wise, for a bombastic prestige drama about the world of money. In 2011, the sharp and enraging documentary Inside Job, which charted the corruption that led to the financial crisis, won an Oscar. In the winter of 2016, The Big Short—a sermonizing, big-budget Hollywood comedy about reckless bankers—was nominated for Best Picture. The mea culpas had been issued, the bad actors identified, and although only one person officially went to jail, the coast looked clear for new stories of Wall Street and wealth.
Of course, in the wake of the crisis, a showrunner could not simply rehash the old Gordon Gekko formula for a modern audience. Slickness was no longer glamorous but gross; very few Americans had an appetite for captains of industry slurping down midday martinis at the Capital Grille. Instead, the three creators of Billions—the longtime writing team of Brian Koppelman and David Levien, along with The New York Times’ financial reporter, Andrew Ross Sorkin—took a populist genre and grafted it onto the honeyed, moneyed lives of the rich and infamous: They made a superhero show about finance.
Continue reading Billions: Super Antiheros – April 24, 2018