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Red Hot: The Irresistible Rise of Damian Lewis – Sept 8, 2006

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Damian Lewis: The Chameleon Performer

by Liz Hoggard | The Independent | September 8, 2006

Damian Lewis is an intense chap, capable of conveying a huge range of emotions with the smallest gesture. He’s hotly tipped for an Oscar for his new film. And he’s a real gent. Just don’t call him posh, whatever you do.

“Ask him about that intense thing he does with his eyes,” a female journalist suggested when she heard I was interviewing the actor Damian Lewis. What’s striking about Lewis is how much he manages to convey by doing so very little. There is stillness about him on screen, a faraway look that can evoke anger or desire or – if you saw his rollicking performance as Benedict in BBC1’s modern-day version of Much Ado about Nothing – sheer hilarity.

The press love to brand Lewis as an arrogant posh boy. Like David Cameron, he went to Eton. But, among his generation of actors, no one does grief and repressed emotion so well. In Spielberg’s Second World War epic, Band of Brothers, he played an American soldier facing up to fear with a quiet certainty (it won him a Golden Globe nomination). He was the bewildered newlywed who doesn’t understand why his marriage is falling apart in Hearts and Bones. And in the remake of The Forsyte Saga, he did the unthinkable – making the brutal Soames sympathetic.

For several years now, 35-year-old Lewis has been a successful actor on the verge of becoming a major star. Unlike Ewan McGregor or Joseph Fiennes, his contemporaries at London’s Guildhall drama school, you might still walk past him in the street. But all that should change with the release of his new film Keane: his performance is already sparking Oscar rumours in the States.

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Categories An Unfinished Life Chromophobia Gallery Magazine Media Print Media The Forsyte Saga The Situation

Let’s Dance – Fall 2005

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Damian Lewis at The Dorchester

by Natalie Theo | Factory Magazine | Fall Issue, 2005

Damian Lewis really wants to be Widow Twanky. Thankfully Factory has asked him to camp it up as an all-dancing James Bond hero for its shoot at the Dorchester Hotel’s London ballroom. “I went through a lot of pantomime when I was young – I mostly wanted to be Widow Twanky”. Well, as I say, thank God we are more 007 today. You see I am blushingly helping Damian Lewis into a pair of elegant black Ralph Lauren trousers, shirt and diamond studded De Beers cufflinks. We are tucked away in the dark refines of the Dorchester ballroom’s coat check cubicle.

The men’s loos are unavailable for trouser tucking. Better to be tucking him into a Ralph Lauren number rather than a figure moulding pair of panto tights. Lewis has gamely agreed to swirl six dashing young actresses dripping in De Beers diamonds and slinking about in Ralph Lauren eveningwear for the day with his very own barman, sent along on orders from Dublin courtesy of Jameson Irish Whiskey, to see him through. His lead role as Major Richard Winters in HBO’s Band of Brothers, produced and part directed by Steven Spielberg and Tom Hanks, precedes a slew of feature films due for September and early 2006 releases: Lasse Hallstrom’s An Unfinished Life; Brides produced by Martin Scorsese; Lodge Kerrigan’s Keane; Phillip Haas’ The Situation; and Martha Fiennes Chromophobia. So I can’t quite believe Widow Twanky is the be all and end all of the ultimate hero situation.

Continue reading Let’s Dance – Fall 2005