Written By DamianistaComments Off on Guardian Interview: Shooting Star – March 10, 2002
by Jay Rayner | The Guardian |
Watching Damian Lewis leading the men of Easy Company to victory in Spielberg’s WWII epic Band of Brothers, you’d never guess he went to Eton and attended drama school with Ewan MacGregor. Now, though, he is returning to more familiar territory as the iconic Soames in The Forsyte Saga.
The middle-aged Italian waitress clearly does not recognise the actor she is shouting at or, if she does, she has had enough experience at being a sour-faced waitress not to show it. This is the second time she has asked Damian Lewis to choose what he wants for lunch and it is the second time he has asked for a few more minutes. ‘Look,’ she says, with a fearsome shrug, arms spread wide. ‘We are busy. You don’t order now, then the kitchen, it become busy. You wait too long for your food. You get cross.’ There is a convincing logic here: the small, smokey cafe in London’s St James’s is indeed already crammed with people.
Written By GingersnapComments Off on Damian Lewis Interview: USA Weekend Magazine – March 10 2002
Black Hawk Down, Elvis, Steve McQueen, and Broadway
by Evelyn Poitevent | USA Weekend Magazine | March 10, 2002
“Band of Brothers” star Damian Lewis, 31, has been touted by everyone from the “New York Times” to “People” magazine as Hollywood’s new golden child. And rightfully so. The British actor — a veteran of London’s Guildhall School (where he studied drama with Ewan McGregor and Joseph Fiennes), the Birmingham Repertory and Royal Shakespeare Company (where he befriended Ralph Fiennes) — has not only proved himself worthy of the stage during the last decade, but has also made his mark on British television (BBC’s “Warriors” and “Hearts and Bones”). “Band of Brothers” brought him to American audiences — and rest assured, that was just the beginning. We caught up with the humorous, fun-loving (yet humble) redhead, who’s currently filming a Stephen King thriller, “Dreamcatcher,” in Canada. Continue reading Damian Lewis Interview: USA Weekend Magazine – March 10 2002
Written By DamianistaComments Off on Man of the Month: Damian Lewis, A Brit of the Action, GQ UK November 2001
“British women are just the best,” announces Damian Lewis, who you will soon know as Lieutenant Richard Winters from BBC2′s Band of Brothers. Moments later he ruminates about getting to grips with his first pair of fake breasts in LA. “I almost let out a yelp,” he says. “I thought, ‘These are like footballs!’”
One can forgive Lewis for obsessing over the female form. Last year he spent eight months with thousands of mud-caked grunts on the set of Tom Hanks’ and Steven Spielberg’s 70m pounds companion to Saving Private Ryan. Even his Eton College education couldn’t prepare him for the testosterone on the set of the ten-part WWII drama.
Written By DamianistaComments Off on An Officer and A Gentleman – Oct 15, 2001
Eton-Educated British Actor Damian Lewis Overcame a Near-Fatal Motorcycle Crash and a Family Tragedy on His Way to the Spotlight
by Russell Scott Smith | US Weekly | October 15, 2001
IT WAS A COLD WINTERS NIGHT IN London when Damian Lewis crashed, face-first through a car’s windshield and almost died. That evening, in 1998, the actor had been buzzing along the chilly, dark streets on his Honda VFR750 motorcycle, heading home from the Royal Shakespeare Company’s Barbican Theatre, where he was playing Don John the Bastard in Much Ado About Nothing. Suddenly, a car veered into Lewis’s path. His bike rammed the car’s front bumper, and he flew over the handlebars; Lewis broke the car’s windshield with his chin. “Thank God I had a full-face helmet on,” the 30-year old actor says. “If I hadn’t, I’m not sure I’d be here now. Or at least my acting career would be very different.” Continue reading An Officer and A Gentleman – Oct 15, 2001
Written By DamianistaComments Off on Damian Lewis Interview, Sunday Telegraph – Sept 30, 2001
Bananas and Marmalade
by Emily Bearn | Sunday Telegraph | September 30, 2001
Damian Lewis is an Old Etonian who plays an American war hero in Spielberg’s latest epic, and dreams of being the next James Bond. Emily Bearn meets the young contender.
Damian Lewis (if the actor’s publicists in London, New York and Los Angeles are to be believed) is destined to be pretty big — he is already big enough to turn up for our interview two hours late. We have arranged to meet at the Midland Hotel in Manchester, which has been Lewis’s home for the past six months while he has been filming a new adaptation of Galsworthy’s The Forsyte Saga for ITV. Journalists and photographers are milling around the hotel’s palm-fronded foyer, being sporadically debriefed as to Lewis’s whereabouts by Michael, a member of his publicity team, who is directing operations from a mobile telephone. We are plied with complimentary croissants and told that the delay is attributable to Lewis’s intense filming commitments, coupled with a recent unscheduled appearance at the Manchester Royal Infirmary, where he had his appendix whipped out.
When he eventually arrives, Lewis looks calm, robust and fairly confident of the fact that he is one of the swifter-ascending stars of the small screen. He is dressed in jeans and a slightly grubby grey shirt; his orange hair is damp or fashionably slicked, and his freckles suggest he has been in the sun. He is 30, but has the sort of pleasant, negotiable looks that mean he could pass himself off as a decade older or younger. After Lewis has dispatched Michael into the Manchester drizzle to buy him bananas, we retire to a suite in which the bed has been replaced by a table bearing yet more croissants. Lewis eats two, with the rapacity of a man who has missed breakfast, pausing between bites to explain the etymology of marmalade.
We are here to discuss Band of Brothers, an American Second World War drama in which Lewis plays Major Dick Winters, the hero who led an élite US Army corps as it parachuted into France on D-Day. The ten-part series (which swallowed a budget of about £86 million and will be screened by the BBC this week) was produced by Steven Spielberg and Tom Hanks and has been attacked for — as one British tabloid put it — casting an “unashamedly American slant on the Second World War.”