Category: Review

Billions: A Show With Great Scripts and a Fine Cast

by Megan McArdle | Washington Post | June 15, 2018

The temptation of writing about culture is always to find something to pan. Critical reviews flow easily from the fingertips, while applause involves the hard labor of finding 16 synonyms for “good.” But I ate my Wheaties this morning, and I’m looking for a challenge. So let’s talk about good shows — great shows, even. Shows that more people should be watching. People like you.

“Billions” (Showtime)

Another show with great scripts and a fine cast. (You may be sensing a theme here). This is high-finance as revenge-drama. The first three seasons portray a long-running cat-and-mouse game between hedge-fund titan Bobby Axelrod, played by Damian Lewis, and U.S. Attorney Chuck Rhoades, played by Paul Giamatti. But the showrunners haven’t given into the temptation to make Axelrod the bad guy and Rhoades the hero. Instead, we have twin protagonists — both badly flawed, but also deeply appealing.

The cast is terrific, the writing reminiscent of a less-manic Aaron Sorkin, and thanks to a different Sorkin (Andrew Ross, longtime finance reporter for the New York Times, and no relation to the creator of “The West Wing”), “Billions” is even a reasonably realistic portrayal of both finance and securities law. I suspect it isn’t getting the audience it deserves because people think finance is dull, but trust me, in the hands of this team, it never is.

Read the rest of the original article at Washington Post

The Showtime Drama is Built for Speed – and All the Better For It

by Alan Speinwall | RollingStone | June 14, 2018

Source: Showtime

The midpoint of Billions Season 3 featured a huge moment for the series to date: the Showtime drama’s arch-rivals, U.S. attorney Chuck Rhoades (Paul Giamatti) and hedge fund mogul Bobby “Axe” Axelrod (Damian Lewis), facing each other across a dining room table and, with the help of Chuck’s wife/Axe’s therapist Wendy (Maggie Siff), acknowledging that they needed to join forces against a common enemy.

In today’s ultra-serialized drama landscape, it’s the kind of scene that almost any other show would have saved for the very end of its season finale, or the penultimate episode at the latest. Billions actually repeated this dynamic in its own finale, which we’ll get back to, but that it happened as early as Episode 6 was striking. Too many other shows that consider each season “a 13-hour movie” would have built the whole thing around that meeting, throwing complication after complication at Chuck, Wendy and Axe so that it would happen as close to the end of the year as possible, and that sense of wheel-spinning would have been palpable.

Continue reading What the Rest of TV Can Learn from Billions – July 14, 2018