Band of Brothers
by Noel Murray and Scott Tobias | Vulture | November 25, 2020
Some of the network’s best, most daring work has come in the form of a limited series.
As HBO miniseries started developing in the mid-’80s and early ’90s, the “It’s Not TV. It’s HBO” tagline would not have applied. With a notable exception of Robert Altman and Garry Trudeau’s Tanner ’88, early efforts like The Far Pavilions and All the Rivers Run — the latter unavailable for us to include — had the scope of a typical two-night network event, with little of the ambition and artistry (and premium-cable pruriency) that would come to define the network. Even some of the more lauded, award-winning benchmarks from the mid-2000s, like the star-packed Richard Russo adaptation Empire Falls or the lavishly appointed historical drama Elizabeth I, hadn’t evolved past a more traditional model.
