“Do you know, I think you might wear a suit better than any man I’ve ever met.” In the intimate and strangely forbidden confines of a lift at the National Theatre, Helen McCrory’s heavily made-up hazel eyes are drinking in her husband’s tall, tailored frame.
“Thank you,” he replies, faintly awkwardly, looking down at the same Tom Ford tuxedo he wore to accept the best actor Emmy award only last month. “Does this mean you want me to do all the washing-up for a week?”
A gypsy laugh bubbles up from deep inside McCrory’s tiny dancer’s body.
“No, my darling, of course not! Just the bedtime stories…”
It’s a rare day of togetherness and, despite a stoic, unwaveringly professional determination to get the photographs absolutely right – freezing winter winds notwithstanding – Mr and Mrs Damian Lewis are enjoying every minute of this short holiday from work and the parenting of their two children, Manon, six, and Gulliver, five. Curling herself into her husband, McCrory locks eyes with him as he puts a protective hand between her shoulder blades and gently rubs her slender back. They seem in a little world of their own on the top of Waterloo Bridge, talking quietly and constantly to each other, oblivious to both the photographer’s lens and the gawping Londoners who keep falling into the traffic in their astonishment at getting a real-life Homeland fix in the middle of the week.
When one frazzled woman with a pushchair stops dead in her tracks between the couple and the camera and stares, open-mouthed, at the nation’s favourite redhead as if he were a painting, they laugh tolerantly until she manages to pull herself together. This, after all, is their reality. And, for a couple who were recently invited to a state dinner for David Cameron at the White House and were sat not, as they had suspected, somewhere “between the kitchens and the loo” but on President Obama’s table, nothing is terribly surprising. “He did, yes. Yes, he did. He did say it was his favourite programme,” Lewis later admits, between hungry mouthfuls of chicken stew and gulps of red wine in a nearby South Bank brasserie.
Continue reading Vogue Archive: No Place Like Homeland – Jan 20, 2015
The play runs until August 3, 2019. For ticket information, click here.
