Homeland: Is the CIA Drama Actually Any Good? (A Forensic Investigation)
by Gavin Haynes | The Guardian | February 8, 2018
We armed our writer with some DVDs and a few cups of coffee and he came back with a definitive answer to one of TV’s biggest unanswered questions. Homeland is famous for two things: Claire Danes’ capacity to act by wobbling her face, and being maddeningly uneven. Terrorists come and go: who could tell a Bibi Hamed from a Saad Massoud in the long game? But inconsistency remains. So as the show resumes later this month, when you look at it across six seasons, is Homeland actually any good? The question has never quite been resolved. Until now. Six seasons, one metric. Goodness.
What’s striking now about Homeland’s debut is how slow it is. Rather than what it became – a frantic hail of bullets falling amid a fog of sarin gas – this is a psychological turn about the alienation of a returning PoW.
A climax that’s a touch random. Nicholas Brody (Damian Lewis) attempts to turn the vice president into strawberry jam with his suicide vest, before mammalian evolutionary programming saves the day, via a last-minute phone call from his teenage daughter – as if The Godfather climaxed with the Monty Python foot coming down on Michael Corleone.
Verdict: 57% good