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Is the world ready for a red-haired 007? Did the last series of ‘Homeland’ go too far? And why is he racing the new Jaguar F-Type around a Chilean desert? Damian Lewis reveals all to Craig McLean
Lewis cuts a Bond-esque figure with the new Jaguar F-type on the set of Desire Photo: Nicole Nodland
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by Staff | British Vogue | January 20, 2015
“Do you know, I think you might wear a suit better than any man I’ve ever met.” In the intimate and strangely forbidden confines of a lift at the National Theatre, Helen McCrory’s heavily made-up hazel eyes are drinking in her husband’s tall, tailored frame.
“Thank you,” he replies, faintly awkwardly, looking down at the same Tom Ford tuxedo he wore to accept the best actor Emmy award only last month. “Does this mean you want me to do all the washing-up for a week?”
A gypsy laugh bubbles up from deep inside McCrory’s tiny dancer’s body.
“No, my darling, of course not! Just the bedtime stories…”
It’s a rare day of togetherness and, despite a stoic, unwaveringly professional determination to get the photographs absolutely right – freezing winter winds notwithstanding – Mr and Mrs Damian Lewis are enjoying every minute of this short holiday from work and the parenting of their two children, Manon, six, and Gulliver, five. Curling herself into her husband, McCrory locks eyes with him as he puts a protective hand between her shoulder blades and gently rubs her slender back. They seem in a little world of their own on the top of Waterloo Bridge, talking quietly and constantly to each other, oblivious to both the photographer’s lens and the gawping Londoners who keep falling into the traffic in their astonishment at getting a real-life Homeland fix in the middle of the week.
When one frazzled woman with a pushchair stops dead in her tracks between the couple and the camera and stares, open-mouthed, at the nation’s favourite redhead as if he were a painting, they laugh tolerantly until she manages to pull herself together. This, after all, is their reality. And, for a couple who were recently invited to a state dinner for David Cameron at the White House and were sat not, as they had suspected, somewhere “between the kitchens and the loo” but on President Obama’s table, nothing is terribly surprising. “He did, yes. Yes, he did. He did say it was his favourite programme,” Lewis later admits, between hungry mouthfuls of chicken stew and gulps of red wine in a nearby South Bank brasserie.
Continue reading Vogue Archive: No Place Like Homeland – Jan 20, 2015
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Those weary souls, trudging through Heathrow after emerging, blinking, from the Los Angeles red-eye, rarely cut the most hale and hearty of figures.
But if a touch of the leading man gloss appeared to have come off Damian Lewis as he exhaustedly navigated the arrivals hall earlier this week, he had a good excuse.
Continue reading Knickers in the post and the rather racy past of the hottest Brit in Hollywood, Daily Mail, January 18, 2013
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Original article here
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The star of Sunday night’s most addictive drama, talks to Craig McLean about playing a Muslim, living between LA and London and why he couldn’t say no to Homeland
CRAIG MCLEAN
Monday 2 April 2012 11:01
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02 FEB 2012
You WILL answer our questions, Lewis…
The following feature is available free for reproduction in full or in part.
Damian Lewis is sitting opposite me, drinking tea in a wood-panelled library in a discreetly opulent Central London hotel. With his clipped Old Etonian accent and understated self-confidence, he seems the epitome of Englishness. Which is why it’s surprising that so many of his highest profile roles have been Americans.
Continue reading Damian Lewis Interview, Channel 4, February 2, 2012
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by Emily Bearn | Sunday Telegraph | September 30, 2001
Damian Lewis is an Old Etonian who plays an American war hero in Spielberg’s latest epic, and dreams of being the next James Bond. Emily Bearn meets the young contender.
Damian Lewis (if the actor’s publicists in London, New York and Los Angeles are to be believed) is destined to be pretty big — he is already big enough to turn up for our interview two hours late. We have arranged to meet at the Midland Hotel in Manchester, which has been Lewis’s home for the past six months while he has been filming a new adaptation of Galsworthy’s The Forsyte Saga for ITV. Journalists and photographers are milling around the hotel’s palm-fronded foyer, being sporadically debriefed as to Lewis’s whereabouts by Michael, a member of his publicity team, who is directing operations from a mobile telephone. We are plied with complimentary croissants and told that the delay is attributable to Lewis’s intense filming commitments, coupled with a recent unscheduled appearance at the Manchester Royal Infirmary, where he had his appendix whipped out.
When he eventually arrives, Lewis looks calm, robust and fairly confident of the fact that he is one of the swifter-ascending stars of the small screen. He is dressed in jeans and a slightly grubby grey shirt; his orange hair is damp or fashionably slicked, and his freckles suggest he has been in the sun. He is 30, but has the sort of pleasant, negotiable looks that mean he could pass himself off as a decade older or younger. After Lewis has dispatched Michael into the Manchester drizzle to buy him bananas, we retire to a suite in which the bed has been replaced by a table bearing yet more croissants. Lewis eats two, with the rapacity of a man who has missed breakfast, pausing between bites to explain the etymology of marmalade.
We are here to discuss Band of Brothers, an American Second World War drama in which Lewis plays Major Dick Winters, the hero who led an élite US Army corps as it parachuted into France on D-Day. The ten-part series (which swallowed a budget of about £86 million and will be screened by the BBC this week) was produced by Steven Spielberg and Tom Hanks and has been attacked for — as one British tabloid put it — casting an “unashamedly American slant on the Second World War.”
Continue reading Damian Lewis Interview, Sunday Telegraph – Sept 30, 2001