Becoming Fluent in the Musical Language of Billions
by Al Shipley | Complex | May 3, 2020
At a time when TV prestige dramas often have 90-second opening credits with an epic theme song and lavish visuals, Billions on Showtime has an unusually short and simple title sequence: an ominous aerial view of Manhattan, soundtracked by a queasy low electronic pulse, in and out in about 15 seconds. The show’s score and theme music is by Eskmo, an electronic producer associated with labels like Ninja Tune and Warp Records, who puts moody, unobtrusive beds of sound under the dialogue-heavy show about powerful hedge fund manager Bobby Axelrod, his company Axe Capital, and the public officials trying to catch them breaking the law. But Billions, which returns with the Season 5 premiere on May 3, has gotten increasingly flashy with its nods to music since the Season 2 scene that featured a lengthy discussion of Jeff Tweedy and Jay Bennett’s creative chemistry in Wilco.
Increasingly, Billions has been rife with moments where music didn’t just provide an emotional backdrop but memorable dialogue. “Dollar” Bill Stern (Kelly AuCoin) belted out the opening verse of Bruce Springsteen’s “Atlantic City” when Axe Capital hatched a plan involving “the chicken man” who sets prices in the poultry industry. Politician Chuck Rhodes (Paul Giamatti) air drummed to Al Green and offered a critical breakdown of 1977’s The Belle Album. And when Attorney General Waylon Jeffcoat (Clancy Brown) tried to intimidate Rhodes’s corrupt father into a confession, he said that he has a witness “singin’ like Hank Williams the elder, tellin’ us all about your cheatin’ heart.”
