Craft Considerations: Composer Dustin O’Halloran Layers Paranoia and Heartbreak Into an Experimental Score
by Staff | IndieWire | May 23, 2023
The story of Kim Philby, the high-ranking British intelligence official who turned out to be one of the biggest double agents in U.K. history (and a hero of the Soviet Union, if you take the Russian point of view), is well known at this point. Dozens of books, fiction and nonfiction, have been written about how Philby took in the great and the good of MI6 and the CIA for decades before he finally had to flee across the Iron Curtain in 1963.
This version of Philby, played with the kind of rumpled fatalism only Guy Pierce can muster, spends a lot of time keeping those friends close at the cost of his own soul, particularly Nicholas Elliott (Damian Lewis). But MGM Television’s “A Spy Among Friends,” which traces Philby and Elliott’s relationship from World War II to the ramifications of Philby’s defection (though not necessarily in that order) has no interest in spelling out how genuine the friendships of spies can be. It is interested in giving us the clues, hidden (among other places) in the adrenaline and emotion of the miniseries’s remarkable score.
Continue reading How the A Spy Among Friends Score Creates Audible Paranoia for Its Spy Characters
