Original article here
Bringing the fight back home
THE premise is intriguing. A United States marine, missing in action for eight years and presumed dead, is rescued from a terrorist compound. He has been held hostage by al-Qaeda for all that time.
Damian Lewis: Life
By Michael Deacon – The Telegraph – 25 October 2008
Damian Lewis, star of ITV’s new US series Life, tells Michael Deacon about his role as an ex-convict, being a British actor in America and his love of bicycle
Charlie Crews, the character Damian Lewis plays in Life – ITV’s new drama import from America – is perpetually defeated by modern technology. Lewis isn’t too hot on it himself. The London-born 37-year-old can’t stand Facebook, worries that video games are a threat to the film business and struggles with text messages. When we meet he is wrestling with his mobile phone: ‘Sorry, I’ve just got to text my sister-in-law, who’s a tyrant – if I don’t text back within half an hour she shouts at me,’ he says. ‘My text response time is usually about two days.’ His mobile, grey and chunky, is a model so antiquated that most teenagers would probably mistake it for a TV remote control.
Damian Lewis interview
by Marie Claire Magazine – March 19, 2008
Brit actor Damian Lewis is making it big in Hollywood. He talks exclusively to
British Band of Brothers star Damian Lewis, 37, stars in and produces The Baker this month. Written and directed by his younger brother, Gareth, the comedy tells the tale of a hitman who decides to quit the life and hide out in a Welsh village.
How was it to be directed by your younger sibling, Gareth?
I didn’t know quite what to expect…I suppose we were quite polite and very respectful of each other. Sweetly, we were also quite loving towards each other. Probably, if we did it again, we might be more frank. We might just say. ‘That doesn’t work’, rather than be respectful of the fact that we’re working with each other.
It’s all in the mind
The stars of what was meant to be Lodge Kerrigan’s third film, In God’s Hands, might have been happy enough with the shoot – Maggie Gyllenhaal and Peter Sarsgaard became a couple as result of working together – but the director wasn’t. The completed film was scrapped in 2002, owing to what Kerrigan describes as “technical issues with the negative”.
“It was pretty devastating,” says Kerrigan matter-of-factly in his rich baritone. Some others associated with the film absolved themselves of any responsibility, and Kerrigan retreated to reading the novels of Haruki Murakami. Fortunately, the insurance covered the disaster and in 2004 Kerrigan was able to return to the fray, shooting his new film, Keane, in 32 days for less than $1m.