Written By GingersnapComments Off on Damian Lewis: Man on a Mission
On The Record
by Paul Kirkley | Weekend Magazine | July 27, 2023, Issue #658
Damian Lewis has the acting world at his feet – so why has he stepped out of the comfort zone to release a debut album and take it on tour? He tells Paul Kirkley about the challenge of changing career lanes – and why the first person he needed to convince was himself.
Damian Lewis has a cast-iron excuse for having slept through his 10am appointment with Weekend – he’s been up all night shooting scenes for his latest role as a vampire in supernatural comedy The Radleys. And vampires, famously, are not morning people.
Written By GingersnapComments Off on Damian Lewis Discusses Theatre on the Stage Door Johnny Podcast
An Extra Helping of Damian Lewis: Act I and Act II
by Jonathan Cake | Stage Door Johnny | January 24, 2023
Back in October 2022 (and released in November of that same year), Damian appeared on the Stage Door Johnny podcast. You can listen to both episodes on Feeds here after scrolling down the page to find Act I and Act II, or you can listen to both episodes on Spotify here after scrolling down the page to find Act I and Act II. You can also listen on Podbean here, page two. Here are the podcast descriptions of each episode:
Written By GingersnapComments Off on Rake Magazine Interview: A True Leading Man – Feb 15, 2018
by Tom Chamberlin | The Rake Magazine | February, 2018
Source: The Rake Magazine – Photo by: Kalle Gustafsson
In an exclusive interview with The Rake, Damian Lewis tells Tom Chamberlin why we all, in spite of ourselves, love an anti-hero.
Lewis – from Life to Homeland, Wolf Hall to Billions – has become the finest purveyor of modern drama’s moral ambiguities. In fact, writes Tom Chamberlin, if you can think of an actor who has influenced our golden age of television more than him, speak up…
Among the more ambiguous archetypes of the celluloid age, that of ‘leading man’ is perhaps the least defined. Far from the specific criteria of commedia dell’arte and melodrama, in which the characters are demarcated (bad guy = black hat and moustachioed, etc.), the leading man is purely subjective. Arguably he is the origin of celebrity, pulling screen presence into the limelight of fame. But the list of leading men over the years has shown that no colour, size, hair, manner or cultural identity has ever had dominion over the sobriquet. That is until Damian Lewis entered the fray. For Lewis is a man who, above anything else, is an exemplar of leadership and integrity at a time when the acting world could use a dose of it.
Damian Lewis takes charge of rooms when he enters them. Photoshoots with celebrities are often led by either the photographer, who squeezes every image he or she can from the available time; the stylist, whose job is to make sure a well-curated variety of clothes appears in the magazine; or the publicist, who tends to be the powerbroker. The ‘talent’ can often struggle through the day (except, of course, former Rake cover subjects), regarding the experience as a necessary nuisance. Not so with Mr. Lewis.
Written By GingersnapComments Off on Damian Lewis Interview: USA Weekend Magazine – March 10 2002
Black Hawk Down, Elvis, Steve McQueen, and Broadway
by Evelyn Poitevent | USA Weekend Magazine | March 10, 2002
“Band of Brothers” star Damian Lewis, 31, has been touted by everyone from the “New York Times” to “People” magazine as Hollywood’s new golden child. And rightfully so. The British actor — a veteran of London’s Guildhall School (where he studied drama with Ewan McGregor and Joseph Fiennes), the Birmingham Repertory and Royal Shakespeare Company (where he befriended Ralph Fiennes) — has not only proved himself worthy of the stage during the last decade, but has also made his mark on British television (BBC’s “Warriors” and “Hearts and Bones”). “Band of Brothers” brought him to American audiences — and rest assured, that was just the beginning. We caught up with the humorous, fun-loving (yet humble) redhead, who’s currently filming a Stephen King thriller, “Dreamcatcher,” in Canada. Continue reading Damian Lewis Interview: USA Weekend Magazine – March 10 2002
Written By GingersnapComments Off on Hamlet: Swordplay the Serious Way, New York Times, July 2, 1995
Hamlet: Swordplay the Serious Way
By Matt Wolf, theater critic and journalist in London, New York Times, July 2, 1995
LONDON— “A HIT, A VERY PALPABLE HIT!” cries the courtier Osric during the climactic duel of “Hamlet.” And in the Broadway production now at the Belasco Theater, those hits are palpable indeed.
Productions of “Hamlet” are often distinguished by verse speaking or physical design. Jonathan Kent’s current staging, imported from the Almeida Theater Company in London, offers an additional virtue in the face-off between Hamlet (played by Ralph Fiennes) and Laertes (Damian Lewis). Beginning on a white rectangular fencing mat, the fight soon spills beyond it, weaving among the chairs of Claudius’s dismayed court as the two combatants become increasingly fevered.
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Who Will Be The New Ralph Fiennes, The Next Hugh Grant?
By Matt Wolf – New York Times – January 1, 1995
LONDON— NOT LONG AGO, DANIEL Day Lewis and Kenneth Branagh were the British names on everyone’s lips when it came to actors; more recently, Hugh Grant and Ralph Fiennes have dominated Hollywood’s imagination. Which raises the inevitable question: Who among current British actors are poised to become the next Hugh Grant and the next Ralph Fiennes?
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Hamlet in the Park – Theatre
by Alastair Macaulay – Financial Times – June 17, 1994
This most excellent canopy the air, look you . . . It makes a difference to when you can see the firmament Hamlet is talking about, and here is one of the gains of watching Hamlet in the Open Air Theatre in Regent’s Park. With the sky above he counts himself king of infinite space; amid the theatre he might be bounded in a nutshell. Continue reading Hamlet in the Park – June 17, 1994
There are some actors who approach the role of Hamlet via a rigorous apprenticeship in parts that have more than a smack of the Prince of Denmark: Konstantin in The Seagull, say, or Oswald in Ghosts. One such is Simon Russell Beale who is to play Hamlet, at long last, for Sam Mendes. At the opposite extreme are those actors who find themselves pitched in at the deep end early in their careers and prove that they can swim with precocious bravura.
At the Open Air Theatre, Regent’s Park, there is now an egregious example of this latter type in Damian Lewis, who tackles the role in Tim Piggott-Smith’s otherwise patchy production. Lewis has all the stage presence and captivating instincts of a Michael Sheen. Long-limbed, in a black bum-freezer jacket, he reminds you a little of a Dickensian hero.