‘Bleeding Cool’ Makes Their Picks
by Jeremy Konrad | Bleeding Cool | August 10, 2019
by Jeremy Konrad | Bleeding Cool | August 10, 2019
In an exclusive interview with The Rake, Damian Lewis tells Tom Chamberlin why we all, in spite of ourselves, love an anti-hero.
by Tom Chamberlin | The Rake Magazine | February, 2018
Lewis – from Life to Homeland, Wolf Hall to Billions – has become the finest purveyor of modern drama’s moral ambiguities. In fact, writes Tom Chamberlin, if you can think of an actor who has influenced our golden age of television more than him, speak up…
Among the more ambiguous archetypes of the celluloid age, that of ‘leading man’ is perhaps the least defined. Far from the specific criteria of commedia dell’arte and melodrama, in which the characters are demarcated (bad guy = black hat and moustachioed, etc.), the leading man is purely subjective. Arguably he is the origin of celebrity, pulling screen presence into the limelight of fame. But the list of leading men over the years has shown that no colour, size, hair, manner or cultural identity has ever had dominion over the sobriquet. That is until Damian Lewis entered the fray. For Lewis is a man who, above anything else, is an exemplar of leadership and integrity at a time when the acting world could use a dose of it.
Damian Lewis takes charge of rooms when he enters them. Photoshoots with celebrities are often led by either the photographer, who squeezes every image he or she can from the available time; the stylist, whose job is to make sure a well-curated variety of clothes appears in the magazine; or the publicist, who tends to be the powerbroker. The ‘talent’ can often struggle through the day (except, of course, former Rake cover subjects), regarding the experience as a necessary nuisance. Not so with Mr. Lewis.
by Katherine Plummer – RadioTimes – January 16, 2018
The detective drama Life, set in sunny Los Angeles, gripped crime fans across the world when it was originally broadcast between 2007 and 2009.
The show follows Charlie Crews, played by Damian Lewis, who is a police officer released from prison after serving twelve years for the murder of his business partner and family. A crime that, crucially, he did not commit.
Charlie Crews tries to solve the mystery of the crime and rebuild his life on the outside, along with his detective partner, Dani Reese (Sarah Shahi) and housemate Ted Earley (Adam Arkin).
Life aired for two series on NBC, where (on the website) subscribers can still find it. It can also be watched on US streaming service, Hulu.
Read the rest of the original article at RadioTimes
by Karen Han | The Daily Beast | September 30, 2017
Happy 10th, Life! On its tenth anniversary, it only seems fair to give Life another day in court.
Life is a difficult name to live up to. There’s the board game, there’s the cereal, there’s the thing itself—and then there’s the TV show. The series, created by Rand Ravich, ran for two seasons and a total of 32 episodes from September 2007 to April 2009. Over the course of its run, it didn’t quite seem to gain any real traction; much of what was said about it was less original observation and more comparison to other shows, specifically Monk and House, which also followed a procedural structure and featured a straight man/weird man routine. Unfortunately, Life hasn’t fared much better in the decade that’s passed since the pilot. The only context in which it’s been mentioned has—in a stroke of irony—been in reference to its generic name. But even just a quick survey of the show will make it clear that Life is far from generic.
The show centered on Charlie Crews (Damian Lewis), a detective recently reinstated after serving 12 years out of a life sentence for a triple murder he didn’t commit. He was partnered with Dani Reese (Sarah Shahi), a recovering alcoholic and drug addict working her way back into the good graces of the department. While the show followed the typical “cop show” template of solving a murder each week, it also set up a larger arc: that of Crews’ solo investigation into who’d actually committed the triple murder, and why he’d been set up to take the fall.
Creativity is a strange beast. At its narrowest definition, it is the skill of creating something original and new using nothing but one’s imagination. But that would exclude a lot of us from the act of creativity, wouldn’t it? How many of us are capable of conjuring up some idea, art, or thing completely from scratch? An impossible task, even for the creative geniuses among us. Nothing is truly original. It’s all about processing what has come before and presenting it in new and “creative” ways. “Creative problem solver” is one of those phrases you see on resumes a lot. Try telling a mathematician or a software engineer that what they do doesn’t involve creativity and you’re bound to get an earful in exacting detail of just how wrong you are. Thus, not an easy thing to get a handle on, creativity.
Read the rest of the story at Fan Fun with Damian Lewis