Written By GingersnapComments Off on Rake Magazine Interview: A True Leading Man – Feb 15, 2018
In an exclusive interview with The Rake, Damian Lewis tells Tom Chamberlin why we all, in spite of ourselves, love an anti-hero.
by Tom Chamberlin | The Rake Magazine | February, 2018
Source: The Rake Magazine – Photo by: Kalle Gustafsson
Lewis – from Life to Homeland, Wolf Hall to Billions – has become the finest purveyor of modern drama’s moral ambiguities. In fact, writes Tom Chamberlin, if you can think of an actor who has influenced our golden age of television more than him, speak up…
Among the more ambiguous archetypes of the celluloid age, that of ‘leading man’ is perhaps the least defined. Far from the specific criteria of commedia dell’arte and melodrama, in which the characters are demarcated (bad guy = black hat and moustachioed, etc.), the leading man is purely subjective. Arguably he is the origin of celebrity, pulling screen presence into the limelight of fame. But the list of leading men over the years has shown that no colour, size, hair, manner or cultural identity has ever had dominion over the sobriquet. That is until Damian Lewis entered the fray. For Lewis is a man who, above anything else, is an exemplar of leadership and integrity at a time when the acting world could use a dose of it.
Damian Lewis takes charge of rooms when he enters them. Photoshoots with celebrities are often led by either the photographer, who squeezes every image he or she can from the available time; the stylist, whose job is to make sure a well-curated variety of clothes appears in the magazine; or the publicist, who tends to be the powerbroker. The ‘talent’ can often struggle through the day (except, of course, former Rake cover subjects), regarding the experience as a necessary nuisance. Not so with Mr. Lewis.
Written By GingersnapComments Off on Richard II of England: Potential for Damian? – Feb 2, 2018
Richard II or Bolingbroke: Potential Work Lined Up for Damian?
by Jake Coyle | SF Gate | February 2, 2018
by Dalya Alberge | The Guardian | August 12, 2017
L: Richard II of England – R: Damian Lewis
Veteran director James Ivory claims financiers think he’s crazy for attempting the Shakespeare adaptation of Richard II. Despite 50 years of critical acclaim and Oscar recognition, plus British actors Tom Hiddleston and Damian Lewis lined up to star in his production, financiers are refusing to part with their money. “They look at you like you’re crazy,” he said. “There is an assumption that there is no money to be made from such an investment. A Shakespeare film does not grab the hearts of financiers, I can tell you,” he says. “At the moment I’m very optimistic it will happen.”
For the past several years and after stalled efforts, Ivory still hopes to direct a film version of Shakespeare’s Richard II, with a script penned by Chris Terrio (“Argo,” ”Justice League”) and envisions feature roles for Tom Hiddleston as Richard II and Damian Lewis as Bolingbroke. Not all that unheard of since according to Damian’s filmography, he voiced Bolingbroke on a Richard II radio broadcast. In fact, James Ivory proposes Damian for the role of Bolingbroke in this March, 2018 video.
Both actors have extensive experience of Shakespeare. Hiddleston, who starred in the BBC’s award-winning The Night Manager is playing Hamlet this month in a Branagh stage production. Lewis appeared with the Royal Shakespeare Company before television dramas such as Homeland, Wolf Hall and Billions.
I was fortunate enough to secure an interview with actor Damian Lewis for my student newspaper. This is the result:
A household name both sides of the Atlantic, Damian Lewis came to international prominence starring in Band of Brothers, furthering his reputation in The Forsyte Saga, Life and numerous stage plays. A consummate actor of theatre, film and television, his recent triumph in Homeland won him a Golden Globe and an Emmy. I tried to uncover a few pearls of wisdom from the most exciting British actor of the moment. Continue reading Damian Lewis: “I’m still trying to make it”, Epigram, May 20, 2013