Categories Audio Keane Podcast

Movie Keane Discussed on Podcast

Back Pocket Films

by David Metzger and Devon Ewalt | Back Pocket Films | July 16, 2022

Back Pocket Films podcast discusses the films you may not know exists but would be happy to watch on your next movie night. Devon reaches into his back pocket to pull out a relatively unknown and incredible film experience by writer/director Lodge Kerrigan with a jaw-dropping performance by Damian Lewis. Join David and Devon as they discuss this unbelievable film on Spotify here.

Categories Keane Print Media

Keane Viewing at Lincoln Center in New York

Damian Lewis as William Keane

Keane with Damian Lewis will be released for viewing at ‘Film at Lincoln Center’ in New York on August 19, 2022. The movie was previously a New York Film Festival 42 selection.  For ticket information visit their website here. As we reported earlier, Lodge Kerrigan’s 2004 movie would be getting a 4K restoration with a U.S. theatrical release, as it received a limited theatrical release in New York back in 2005.

Grasshopper Film snapped up distribution rights to the critically acclaimed pic, which is executive produced by Steven Soderbergh and produced by Andrew Fierberg. Keane — in 4K — will premiere in cinemas in 2022, followed by releases on VOD, TV and home video.

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Categories Keane Print Media

Lodge Kerrigan’s ‘Keane’ Gets 4K Restoration and U.S. Theatrical Release With Grasshopper

Keane is Back

“The Girlfriend Experience” director Lodge Kerrigan’s 2004 movie “Keane,” starring Damian Lewis and Abigail Breslin, is getting a 4K restoration and a U.S. theatrical release.

Grasshopper Film snapped up distribution rights to the critically acclaimed pic, which is executive produced by Steven Soderbergh and produced by Andrew Fierberg. “Keane” — in 4K — will premiere in cinemas in early 2022, followed by releases on VOD, TV and home video. (The movie received a limited theatrical release in New York back in 2005.)

“Keane” turns on William Keane (Lewis) who is struggling to cope six months after his six-year-old daughter was abducted from New York City’s Port Authority Bus Terminal while traveling with him. Repeatedly drawn to the site of the abduction, Keane wanders the bus station, compulsively replaying the events of that fateful day as if hoping to change the outcome. When one day he meets a financially strapped woman, Lynn Bedik (Amy Ryan), and her seven-year-old daughter, Kira (Abigail Breslin), at a transient hotel, Keane becomes increasingly attached to Kira and uses her to fill the void left by his own daughter’s disappearance.

“Masterfully written and directed, with incredibly committed performances from Damian Lewis, Amy Ryan and Abigail Breslin, Lodge Kerrigan’s third feature feels as urgent and vital today as it’s ever been,” said Grasshopper Film CEO Ryan Krivoshey. “We are thrilled to be working with Lodge on the re-release of ‘Keane’ and can’t wait for audiences to see this beautiful new restoration in theaters.”

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Categories Band of Brothers Billions Homeland Media Personal and Family Life Print Media Theatre

Blue Blood, Blue Collar: Damian Lewis’ Transformations, The New Yorker, January 18, 2016

The actor probes his characters, but his method isn’t Method. “I’m Damian Lewis, not Daniel Day-Lewis.”

 Photograph by Pari Dukovic for The New Yorker

At a corner table in the dining room of Marea, a restaurant on Central Park South, the conversation was smooth but disputatious. Three men in suits were drinking red wine and eating pasta that cost thirty-four dollars a serving. One of them was a hedge-fund manager, a famous short seller. Another was the financial journalist Andrew Ross Sorkin. The third man, in from London, was the actor Damian Lewis.

Sorkin had made the introduction. The hedge-fund manager and Lewis were doing most of the talking. “Does your business have a societal benefit?” Lewis asked. He wanted to know what made a hedge-fund manager more than “a paper shuffler.”

The hedge-fund manager said that he and his peers basically function as market-based regulators—that they have a financial incentive to expose wrongdoing. Sorkin had set up other audiences for Lewis with financial machers. One of them urged Lewis to consider an underperforming company with entrenched management or a sclerotic board: an activist investor, even if he came in and cut things and fired people—well, that’s capitalism.

Continue reading Blue Blood, Blue Collar: Damian Lewis’ Transformations, The New Yorker, January 18, 2016

Categories Band of Brothers Keane Media Print Media Richard Winters The Forsyte Saga

Damian Lewis: Cherwell Salutes You – May 11, 2011

Damian Lewis: Cherwell Salutes You

Damian Lewis is making me a cup of tea. Dressed in Ugg boots, a checked shirt and a stylish knit cardigan, he’s every inch the metrosexual, cool guy about town: down with the kids in more ways than one, he has to head off after the interview to read his children a bedtime story.

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